mokie: A doll with an open torso featuring a diorama (yay for girls)
May started with a terrible essay (broken down fabulously over at Captain Awkward and by Dr. Nerdlove), in which a man tried to shame his ex for refusing to maintain a relationship with him. Not the relationship, but any relationship. By his own account, she had moved on and found someone new, and she didn't want to hang out with him and rehash the drama of their now-defunct relationship over and over. She did not want to be in a relationship with him, and she did not want to be in that dysfunctional not-relationship with him, either, and so she called it quits - except he doesn't think she has the right to do that. He believes he has veto power over an ex-girlfriend's right to decide who she associates with, because he hasn't got closure (read: the change to debate-to-death her decision to end the relationship). His response to her cutting off contact was to ignore it, keep poking, keep popping up, even after being threatened with a restraining order.

And he painted her decision to cut contact with him as abusive. Yes, seriously. He suggested it was abusive of her to expect to decide for herself who she did or did not interact with. He also suggested that abusive men are abusive because they feel powerless, hint hint, ladies.

Y'know, in case you wondered why she threatened him with a restraining order.

Then, less than two weeks after that essay made the rounds, an asshole declared war on women, and a world that would give women to other men but not him. He killed his roommates, grabbed his guns, and set out for "the hottest sorority" on campus, because. Because girls never approached him, and would have rejected him had he ever bothered to approach them. Because girls pick jerks (who actually ask them out) instead of 'gentlemen' like him (who sit around waiting for ass to be handed to them, like Sleeping Booty, and never put themselves out there for outright rejection). Because when he attempted to assault some women months earlier (what a gentleman!), some nearby men had intervened and kicked his ass. Because he was a misogynistic shitstain driven to obtain riches and women, and frustrated with a life that did not magically hand him these things. Because he was an entitled, spoilt rotten adolescent piece of walking, talking crap who'd had everything handed to him, and his response to adulthood and the requirement that he grow up and work for things was magical thinking (use The Secret to win the lottery!) and an inevitable tantrum.

Because girls aren't psychic - but thank God for instinct and intuition.

And the apologists poured out. It wasn't misogyny because look, he killed more men! - despite the videos and the manifesto and forum posts in which he declared his hatred for women and that he was going to kill as many as possible, and the fact that he only failed because he was utterly incompetent even at being a super-villain. It wasn't misogyny, because look, he had Aspergers, and oh why did no one get him treatment! - despite the fact that autism isn't a mental illness, the mentally ill are more likely to be victims than perpetrators of violence, he was receiving help and his family did attempt to get him committed out of fear he was a threat to himself and others. It wasn't misogyny, because he was probably gay! - and what the fuck is in the water over at Fox News? Seriously now.

And worse, there were the creepy comments. "If even one girl had put out..." What? Pussy would have cured him? No. Or the NYPost's naming and shaming of a girl from grade school that didn't even remember the asshole, though her father did - specifically, he remembered him as a creepy little fuck.

May ended with women on Twitter sharing times they were harassed, intimidated or assaulted - and being harangued by men who were upset because this conversation about women being harassed, intimidated and assaulted was not taking place within the context of how it hurt men to be associated with this and discussed this way. They insisted that the conversation must begin with how feminists discuss men, and must include caveats that specifically let certain men (them) off the hook, because somehow, simply saying that a man raped you and the police didn't take it seriously is slandering all men, because this is really all about men's feelings, isn't it?

So let's start June off better, with Your Princess Is in Another Castle: Misogyny, Entitlement, and Nerds, in which a nerdy guy calls out the pop culture nerd narrative as insulting to and unhealthy for nerdy guys and women alike.
mokie: Ghostbusters' Vinz Clortho wears a collander and answers questions (SCIENCE!)
A conversation observed, paraphrased and annotated:

Naive poster: "My friend is a nurse and washes her hands all the time, but I looked at her lotion and it's full of all these chemicals. I'm going to make her some all-natural homemade lotion! With coconut oil, and sunflower oil, and..."

Note: Many medical facilities use latex gloves and barriers. Oil-based products break down latex. This is a bad, bad idea.

Helpful people: "Since your friend works with sick people, sterilizing your equipment and using a preservative is a must. This is usually the problem people run into with homemade lotions."

TRUE. Lotions are water-based, and water-based products are almost guaranteed to succumb to mold and bacterial growth eventually, even with a preservative. Products made without a preservative should be refrigerated and used within a month, and not on broken skin, because seriously y'all, cooties.

Naive poster: "How does a preservative keep someone from spreading infection? Pshaw!"

...ungh.

Helpful people: "It keeps bacteria from growing in the lotion. The lotion she spreads on her hands. The hands she touches equipment and sick people with."

Not at all helpful people:
- "You can just use vitamin E."
- "Or grapefruit extract."
- "I like rosemary oleoresin."
- "Essential oils make great natural preservatives."

Helpful people: "No, none of those things are preservatives. Several are antioxidants. They prolong the life of the oils, but they don't stop bacteria and fungi from growing in the product."

Not at all helpful people: "I don't use water in my lotions, just aloe juice, so it's not an issue for me."

Helpful people: "Aloe juice is water-based. Juices in general are still water-based. Is your lotion made with liquid? Then you still need a preservative."

People who work in an actual medical setting: "Guys, the products we're allowed to use are strictly regulated for exactly these reasons. Also, oil-based products break down latex."

See?

Scoffing scofferson: "Don't all lotions contain oils? Harumph and pshaw."

No. For example, products made for industries that use latex--

Scoffing scofferson: "Sounds like more chemicals to me."

And this is why you should be a little more cautious when buying handmade personal care products, especially from folks throwing around the terms 'all-natural', 'preservative-free', 'herbal', and (especially) 'great for kids': because good intentions are no substitute for actually knowing what the fuck you're doing before you put the health of total strangers at risk.
mokie: Man with an old computer monitor for a head drinks through a straw (media pop culture)
A month or so ago, for reasons I can't remember, I found myself reading about milestone episodes of South Park--which episode really gelled the show's dynamics, and which episode cemented Cartman not merely as a tiny Archie Bunker but a budding psychopath, etc. This kicked off a marathon review of the entire series for me. It's turned up a few surprising realizations, like that Stan and Kyle aren't as interchangeable or even alike as many fans claim (and complain about), and I can't explain that without going full nerd, so I'll just leave it there, because that's not the realization I want to write about.

I realized that some of the episodes are so damn far ahead of the moment that many of us don't seem to get them at the time of release.

The episode that brought this home is season 12's "Britney's New Look", about the media frenzy over Britney Spears and her long, slow public meltdown. In the episode, the boys learn people will pay insane cash for Britney photos and trick their way into her motel room by telling a guard they're her kids. For the distraught but otherwise normal Britney, this is too much: under the stress of the media onslaught that she knows will never let up, she blows her head off. Through some fluke she survives, and nobody treats her any differently except the boys. They feel guilty and try to help her escape, only to discover it's a massive conspiracy, and she's just a human sacrifice for a good harvest. (Yes, really.)

(Edited to add: I refuse to add spoiler tags for a TV show that aired two elections ago, especially as the spoileriffic element is the whole point of the episode.)

First, there are the reviewers who see only a parody of Shirley Jackson's "The Lottery" and describe it simply as that, even though I don't think that's technically accurate. The episode imitates the end of Jackson's story, the crowd surrounding the damned woman with cameras instead of stones, but it's using Jackson's story to satirize paparazzi culture, not satirizing her story itself. (Interesting aside: Jackson said about the original reaction to her story, "People at first were not so much concerned with what the story meant; what they wanted to know was where these lotteries were held, and whether they could go there and watch.")

Then there are the folks who missed the point. Spears fans protested that it was a heartless mockery of a low point in her life, and completely missed that she was being portrayed sympathetically, while everyone else (even the boys at first) were villains. Show fans whined that there weren't enough jokes, not enough Cartman, and the only laugh they got was hearing Clinton say "spearchucker" in debate with Obama, completely missing, well, probably anything in the series more intelligent than a fart joke.

And then there were the folks complaining that if they were going to do a Britney Spears episode, they should have done it properly, because there's so much to make fun of, missing both the point ('Holy fuck, there's celebrity poking, and then there's this, and this is not right--we as a society are killing this woman, let's back off and not do that anymore'), and the fact that they were in fact the very people the episode is actually satirizing. For example, and an egregiously creepy example it is, there's the review that crowed the episode "takes a stab at Britney Spears and her popularity" "[w]hen the Queen of Trailer Trash visits South Park," and "[o]nly the boys seem to notice her head is blown off in a great parody of her train-wreck life. We love how Matt and Trey treat her as a brain-dead machine propped up by the media. No head. No brain. Doesn’t matter. Look at the camel toe!"

That's driving right past the point and off the pier, into a lake of fire.
mokie: Man with an old computer monitor for a head drinks through a straw (eljay drama)
The old joke is that Livejournal users hate Livejournal.

Most of it isn't really a Livejournal thing, but an Internet thing: once a website reaches a certain size, long-time users begin to reject all change to it. Not just the big stupid changes to functionality that break the way they've always used the site, either--even small, trivial changes get blown out of proportion. Every foaming-mad comment is really the user saying, "This is to please those new people, isn't it? What about me? I was here first!" It's not so much a rejection of change as it is a rejection of that loss of insider status.

But anyway.

What about this phenomenon at LJ makes it seem so silly?

How about a comment thread where an admin essentially reassures a Russian-speaking user that they can ask questions in their native tongue and be understood, and the English-speaking users wig out and accuse the admin of attacking the user for not asking questions in Russian?
mokie: Red Dwarf's Rimmer does a very embarrassing dance (people are crazy)
Yes, seriously.

First, there's the very popular "Hitler took everybody's guns! If the Jews had guns, maybe the Holocaust wouldn't have happened!", which Salon answers nicely:
Proponents of the theory sometimes point to the 1943 Warsaw Ghetto Uprising as evidence that, as Fox News’ Judge Andrew Napolitano put it, “those able to hold onto their arms and their basic right to self-defense were much more successful in resisting the Nazi genocide.” But as the Tablet’s Michael Moynihan points out, Napolitano’s history (curiously based on a citation of work by French Holocaust denier Robert Faurisson) is a bit off. In reality, only about 20 Germans were killed, while some 13,000 Jews were massacred. The remaining 50,000 who survived were promptly sent off to concentration camps. (Alex Seitz-Wald, "The Hitler gun control lie", Salon 11 January 2013)
The same article also points out that Hitler did not come for everybody's guns, as the much-cited 1938 law actually deregulated gun ownership for most residents. It restricted gun ownership for Jews, but was just one of many restrictions on the Jews.

(Those wondering when Jews became non-white might as easily ask Google when Italians became white, or when the Irish became white, or ask why some Iranians get upset when referred to as non-white. Race isn't as simple as skin color--it has lots to do with social and historical context and power, us vs them dichotomies, and at times with who is and isn't considered fully 'people' at all. You can find books on it from the Jewish perspective, if you're curious. In the meantime, you can think of it as 'ethnically specific tragedies', if you find that easier.)

Then there's Gawker's story, with a title that speaks for itself: "Al Sharpton Rips Into ‘Gun Appreciation Day’ Chairman Who Thinks Slavery Might Not Have Happened If We Had Just Given Black People Guns"

Yes, seriously.

Of course, it was a different story when groups of black people actually were arming themselves, and the NRA helped to draft gun control measures instead of fighting against gun control. Meanwhile, remember when the neo-cons argued that slavery wasn't so bad, bred mutual respect between the races, and at least kept black families together in 2-parent households? Or when Quentin Tarantino decided he was an expert on history and declared "Roots" 'inauthentic'? Okay, that last one's unrelated...

Except that, for both "Inglourious Basterds" and "Django Unchained", Tarantino has been criticized as exploiting another race's past tragedy and rewriting it as a revenge fantasy, ignoring history and, some believe, implying that the oppressed could have taken care of themselves had they just grabbed those bootstraps and gotten a little more inventively violent.

Huh. Guess it does apply.

And this is just the headline-level racial fuckery emerging from the gun control debate. It's not touching on comment sections, where eyes are rolled, racial slurs are tossed out, and the threatening specter of the gangbanger is waved. It comes together as a disjointed vision of a Mad Max future, in which armed and melanistically-rich criminals roam free and run Bartertown, formerly known as the US of A, and by the way, their ancestors could have saved themselves from us pasty bastards in the first place if only they'd had guns.

Except nobody is enslaving us. Nobody is forcing us into concentration/re-education camps, or sending us off to Thunderdome.* There was a whole lot more going on in pre-Civil War America and the Third Reich than the oppressed parties not having guns, and much of that had to do with those parties being considered barely (or not even) human by the Powers That Be.

Guns aren't what's keeping society from suddenly imploding on itself. Society isn't imploding because, despite all the gloom, doom, school shootings and terrible cable reality shows, it works pretty well for the most part. Rethinking our stance on guns to take military weaponry off the streets isn't going to change that, or leave us bare and defenseless against barbarians at the gate. It might, however, stop a mass-murdering fuckhead or two from donning body armor and walking into a school to make himself famous.

Meanwhile, as some folks are suggesting that the only thing those other folks needed to fix their problems was more guns, completely different folks are uncomfortably wondering exactly why killers who arm themselves and walk into schools almost always turn out to be young middle-class white men. Is it just statistics? A dramatic rise in mental illness, or a dramatic drop in effective treatment? A pathological reaction to stressful times, changing demographics and social norms, and/or loss of status?

This is progress of a sort, given that a decade ago, we were uncomfortably discussing whether these killers were monsters created by video games or monsters created by bullying. Now that bullying is an openly discussed issue, video games aren't just for easily-demonized geeks anymore, and more killers clearly fall outside the stereotype of the kid playing out his revenge fantasy in real life, we can stop asking why that person committed this one horrible crime and start asking what it is about our culture that's incubating this trend.


* I know there's a tangent on the American penal system in here waiting for someone, but I've only got the one rant in me today.
mokie: A doll with an open torso featuring a diorama (yay for girls)
Feminism exploded all over my Internets from unexpected sources!

The other day, Cracked offered a lesson in tough love with 6 Harsh Truths That Will Make You a Better Person, and in the process nailed Nice Guys: "Don't say that you're a nice guy -- that's the bare minimum. Pretty girls have guys being nice to them 36 times a day. [...D]on't complain about how girls fall for jerks; they fall for those jerks because those jerks have other things they can offer."

Today, Gawker points out [the now-defunct site] "Nice Guys" of OKCupid in all their glorious douchebaggery, complete with a handy flowchart.

I'm surprised. I mean, you expect it of Jezebel, which even offered a field guide to Nice Guys recently, but Cracked? That's dude-central!

Edited for clarification: In much the same way that 'killer whale' as a term refers to a specific breed of whale and not just random homicidal cetaceans, 'Nice Guy' is a term for a specific type of guy engaged in a specific type of behavior, which is described in-depth at the sites linked above.

Essentially, a Nice Guy is a manipulative man who befriends a girl but has ulterior motives in doing so. He has a sexual/romantic interest in her but fears he'll be rejected if he asks her out directly, so instead he attempts to weasel into her circle of friends. There he encourages her to rely on him for emotional support, and often tries to sabotage her relationship by badmouthing whoever she's with ("Why are you with him? He's a jerk!"). The Nice Guy does these things under the mistaken belief that the girl will have a magical epiphany about how great he is, and he'll be upgraded to boyfriend/rewarded with sex. Unfortunately for him, girls can't read minds either, so the object of his affection generally thinks of him as a friend—you know, since that's how he's putting himself out there.

Since he's not actually her friend and it's all a sham, he will eventually turn on her for being a bitch who only likes jerks, and then wander off to whine about friend-zones and how girls only go for assholes who treat them like shit by, oh, asking them out directly and interacting with them like people instead of "machines that you put kindness coins into until sex falls out."

Naturally, Nice Guys don't grasp the difference between themselves and actual nice guys.
mokie: Blackadder's Baldrick says, "That is a bourgeois act of repression, sir!" (politics ism)
Now that the election's over, there's a lot of chatter about why Romney lost and what it means for the Republican party, as well as the significance and repercussions of other races like Bachmann's narrow victory and the universal defeat of the "GOP's Rape Apologist Caucus". I'm not referring to the talking heads whining about how "half of the country doesn’t put value in honor [and honesty] anymore," or 'it's the damn minorities and women who think they're entitled to a hand-out that are killing traditional America' (Glenn Beck and Bill O'Reilly, respectively) but actual Oh shit, how did it come to this? discussions. Most are focusing on the issue of compromise--insisting that the President needs to, naturally, while ignoring that it was their party digging its heels in, even on its own bills, specifically to prevent anything useful from being accomplished for which he might be credited. (Sigh.)

It's no secret that the Republicans hitched their wagon to the evangelicals in the '80s, and they've been paying off that loan ever since. The problem with defining the GOP as the party of both God and Wall Street (apart from that whole Matthew 6:24 thing) is that it leaves out in the cold old-fashioned and fiscal conservatives uninterested in pandering to, or even associating with, a religious fringe that looks increasingly bigoted, behind the times and batshit crazy.

Despite Fox News' occasional attempt to panic your uncle with talk of taking God off the money, polls this year showed an increasing number of people uncomfortable with the large role religion plays in our politics, and the worries underlying these numbers aren't new. In the '60s, some voters feared Kennedy's election would invite the Vatican into US politics. During this election, some expressed the same concerns about the Mormon church, particularly given its role in the passage of Prop 8 in California. Yet for twenty years, Republicans have sat back as evangelical Christians hijacked their party to inject religion into national politics while ranting about any politics that sniffed near religion or religious issues (legal and tax exemptions for quasi-political religious organizations! no oversight in children's care homes! no contraception for anybody!). Republican voters put up with it, because what else were they going to do? Vote Democrat?

Meanwhile, as the pundits cite shifting demographics in favor of Obama, they're missing a generation of young conservatives who find the evangelical control of the GOP skeevy, the conservative media's shit-stirring among the old folks laughable, and the Libertarian candidates not such a bad option anymore.

A conservative friend pointed out how far down the rabbit hole and up their own asses the party is these days. "Their worldview now is literally, 'We need some supernatural divine intervention up in here.' [...] The truth is, they just don't know what to do anymore. They just want to pray to Jeebus to set the world back to what they want." Where I (cynically) saw the Becks and Palins as charismatic con men scamming the unsuspecting, he assured me they're for real, and that's part of the problem. "Imagine all the worst, most fucked-up appeals to theology a person can invent in their own mind to explain why the world should be how they want it to be, then multiply that by ten. That's what is going on in the heads of these people."

To be clear, I'm not saying Romney lost because of irreligious conservatives voting for third party candidates. I'm saying that the Republicans are losing the most valuable part of their audience entirely, as the younger generation shakes their collective head at the nouveau televangelists and looks for alternatives to the crazy old man party.

Instead of wondering which ethnic group it should concentrate on winning over for 2016, the GOP would do better to step away from the Kool-aid entirely, and refit its platform to embrace a wider swath of the conservative base that they've been actively scaring off.

Update: Or maybe they'll lock themselves in the echo chamber and cry for a while...
“Turnout was the big problem, since we didn’t get all of McCain’s voters to the polls, but we really should have been talking more about Benghazi and Obamacare,” an adviser says, speaking on the condition of anonymity. “Those are major issues and Romney rarely mentioned them in the final days.” (Robert Costa, "Romney Adviser: It Was the Messaging," National Review Online November 7, 2012)
Compare and contrast the comments with those at The Atlantic Wire's reposting of the article, if you'd like.
mokie: A big red dinosaur says, "Make me a sandwich" (cynical)
In November 2007, Malcolm Gladwell wrote in The New Yorker:
In the mid-nineties, the British Home Office analyzed a hundred and eighty-four crimes, to see how many times profiles led to the arrest of a criminal. The profile worked in five of those cases. That’s just 2.7 per cent... ("Real psychics: Criminal profiling and the F.B.I.")
The point Gladwell makes is that criminal profiling, despite its high profile in recent years, and maybe despite the best intentions of the profilers themselves, is nothing more than the old-fashioned cold reading practiced by psychics and televangelists: a few reasonable deductions mixed with a handful of okay assumptions and a lot of iffy guesses, couched in language so vague as to be realistically useless.

I mention this first because it's interesting, and second, because as a new friend (hi!) pointed out, the profilers have gathered around the Aurora shooting, all twitching and bitching. They're having trouble working with the reality they've got--the kind of profile they would come up with if they were looking for a suspect doesn't fit the suspect they have at all, and he's not giving them anything to work with. No blue collar job, no criminal history, no masturbatory basement lair. He doesn't even have a Facebook account! (Gasp!) Someone even brought up the tried-and-true boogeyman of video games, but the killer's game of choice was Guitar Hero.

So here's my profile on the killer:
  • He's an average student in a tough field of study. He wants to make a name for himself, but it's not going to be in neuroscience.
  • He claimed to be the Joker, but in red hair and body armor. He hasn't actually seen the recent Batman movies, but is aware of the popularity of Heath Ledger's Joker, and the controversy around the character. He wants to make a name for himself, and latching onto that image is, he thinks, a good way to start.
  • He may have the The Dark Knight's Joker confused with Batman Forever's Riddler. That is both sad and hilarious at the same time. If true, this suggests that he is not a nerd or a geek, as they would be aware of this difference, but that he would pretend to know such things if it got people to pay attention to him. In other words, he is a douchebag.
  • He allegedly asked one of his jailers how the movie ends. This has been interpreted by the media as a sign of how mentally out of touch he is. If we examine the question in the context of a screenplay, however, you see that it would play well as an action movie one-liner. From this, I suspect the killer really wants the world to think of him as a bad ass, and, based on that, it must really chafe his ass that the line did not play the way he anticipated. (Well played, media.)
  • Who tries to pull off action movie one-liners in real life? Douchebags.
  • According to his jailers, he's now claiming amnesia. I think we can look at this as, "This really didn't work out the way I wanted, I don't want to play this anymore."
In summary: I think he's just a douchebag who wants to make a name for himself. But it's just a guess.

[Related posts: We never learn. / Let's play Armchair Profilers!]
mokie: Sleepy hobbit Will Graham naps on a couch (tired)
While cruising links, I wandered past two stories.

The first is of a popular new novel that was originally published as fanfiction, and which has some writerly blogs/groups upset. They point out that the author only changed the names in her story, nothing more, and that she drummed up support for her novel within fandom. Pro-fanfic, they question the integrity of exploiting another author's work for profit, and exploiting the fan base at all.

The second was about a self-published romance author, treasurer for the Romance Writers of America (networking: it's what's for dinner), unmasked as a plagiarist. Upon being caught, she claimed she'd downloaded the original story to read but mistakenly saved it to her writing folder and uploaded it for sale by mistake--a story which didn't explain the changed title or character names. As more examples rolled in from her other works, she confessed that she was guilty, resigned her role, and tried to fade back into obscurity.

Somewhere in the tangled mass of comments and debate for these two stories, someone made the sad observation that there had been quite a few stories of self-published authors revealed as plagiarists in the past year. The usual slew of "I don't see how they think they can get away with it" responses came up, but a few pressed a different angle...

There are some people who really believe that changing just enough counts--that taking Steve in Wichita and making him Mike in Dubuque makes the story uniquely their own, even if most of the words are the same and in the same order as Steve's Wichita adventures. They really believe they can take a favorite scene, change it just a little--plug in their characters, reword a sentence or two--and it's theirs. They completely misunderstand what is meant by 'taking inspiration' from a beloved story.

They're not intentionally out to trick or defraud anyone, or claiming their work is a remix. They simply don't recognize what they're doing as plagiarism. In their minds, plagiarism is exact copying. If it's Dubuque, and the big showdown doesn't feature all the same elements, that's different enough to count as an homage, right? (No.)

I don't mean the unconscious copies, words or sounds or ideas that quietly take up residence in the back of our heads and pop up a year or ten later pretending to be original ideas, like the songwriters who play a riff and don't realize it comes from "The Wizard of Oz," or authors who write a line and fall in love with it, only to have it pointed out later that it's an obscure movie quote. I remember jabbering about pulling squid out of my nose, and not realizing until later that the image in my head was a medicated hybrid of a short story I'd been reading and someone's blog post; I can only imagine how much more embarrassing that kind of thing is when it's, say, a pop star being called out for ripping off a twenty-year-old Madonna song. Or how frustrating, given that Madonna twenty years ago was openly and intentionally ripping off her contemporaries. But I digress. And embarrass myself by citing the Gaga/Madonna thing. Moving on.

I'm also not slamming self-publishing or fanfiction. Quite the opposite: I think before self-publishing became so easy, these authors would have participated longer in fanfiction, participated in some competitions, and been poked (or seen someone else poked) for their lifting of a line. Or maybe they'd have taken a creative writing course or two, participated in a critique circle, and received a polite but pointed comment about their work being too 'derivative', and that they should look into the exact meaning of plagiarism. Maybe they would have just started a blog, lifted someone else's material, and been on the end of some flamey comments and emails.

The point is, there's been so much debate about the importance/unimportance of the traditional 'gatekeepers' in publishing, snark about the whole world being one's slushpile vs. defiant optimism about levelling playing fields, and so forth. But hand in hand with that, there's also the diminished importance of the small-scale writerly training grounds. Maybe it isn't so much that authors used to have to pay their dues to earn a traditional contract, but that these spaces allowed them to make mistakes semi-privately, whereas now Google sees all and remembers all.

Or, more likely, I'm overthinking this entirely because I've been so loaded with work these past few months that this is the first chance I've had to sit down and overthink a couple of silly articles.

Hi, journal! I've missed you!

About dream/reading tags

y-* tags categorize dreams.

For types: beyond the obvious, there are dreamlets (very short dreams), stubs (fragment/outline of a partially-lost dream), gnatter (residual impression of a lost dream).

For characters: there are roles (characters fitting an archetype), symbols (characters as symbols), and sigils (recurring figures with a significance bigger than a single dream's role/symbolism).

x-* tags categorize books.

Material is categorized primarily by structure, style and setting. If searching for a particular genre, look for the defining features of that genre, e.g. x-form:nonfic:bio, x-style:horror, x-setting:dystopian.

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