mokie: Man with an old computer monitor for a head drinks through a straw (eljay drama)
A new reader left an awkward comment a few months ago. Introductory comments are always awkward, so I blew it off. His journal featured a few short random entries packed around various event announcements. (I don't remember what for. They weren't my cuppa.) I figured maybe he was just dropping comments around like business cards, hoping to find eyeballs for his cause. I decided to follow-back anyway, because test-driving new journals is part of the fun of community journalling sites.

He left two perfectly normal conversational comments. Not in a row, no--two in his brief time following me. Two. The rest were uncomfortable, preachy diatribes often only tangentially related to what I'd posted. I quickly learned to cringe when an email arrived telling me he'd commented.

I let things slide at first, since I'm an expert at saying the wrong thing the wrong way, coming across like a know-it-all and generally putting my foot in my mouth. (New journal title! mokievision: making an ass of myself since 2000!) But when he got pissy at me over my Newtown post, I was done. Not because of the gun debate, but because I refuse to discuss issues with someone whose response to plain logic is to throw a fit and an insult.*

In going back through those months to tag them properly (because I <3 tags), I kept stumbling on his assorted comments, except without my benefit-of-the-doubt hat on they just look like a pattern of assholish behavior--behavior I allowed him to get away with because I was too polite to put a stop to it sooner.

So I broke one of my own rules and deleted him. All of his comments, everywhere I found them. I don't remember ever deleting comments before, except for the occasional spam clean-up, and I don't like doing it, because even angry comments usually add context to the discussions and entries. But dammit, the man derailed a freaking book review to humblebrag about how many languages he could read. That should count as canned meat of some kind.

Edited to add: dracunculusdracunculus pointed out the Five Geek Social Fallacies, which explores why geeks sometimes put up with bad behavior instead of drawing boundaries. It's so on-target that it almost hurts. The most relevant of the five: you can't toss a jerk out of your circle because ostracizing a jerk is worse than whatever behavior makes the jerk a jerk, and you can't criticize a jerk's behavior because friendship means never, ever calling someone on their bad behavior.


* By 'plain logic', I mean that I pointed out several of the things he was repeating were either unproven, such as anything involving the killer's medical history; had been disproved, such as that Israel arms its teachers; or were plain wrong, like his reference to Asperger's as a mental illness. I also asked him to offer a source for his gun statistics, since they didn't match other sources I was seeing, and suggested twice that we seemed to simply be at odds on the whole topic and should just agree to disagree.

His response was to pull 90° conversational turns any time he was corrected/questioned, pull some more numbers out of his ass, and seize upon "agree to disagree" as some demented proof that he was winning some debate that only he had agreed to have. I finally insisted on seeing some sources, at which point he metaphorically threw himself to the floor and whined that I was more in favor of gun control than I claimed (i.e. tried to tell me what my opinion really was), because I wouldn't respect his authoritah and let him just make shit up without calling him on it.
mokie: Cartoon of an angry tea pot raging (drink tea)
What's the secret to green tea, mokie?

Time and temperature, mokie. Mostly time.

Experts suggest water heated to 160 - 180 °F for green tea, 190-ish °F for oolong and 212 °F for black, and argue over 140 °F or 212 °F for white, presumably debating whether to lower the temp because of the lower oxidation or raise it since herbals are given a full boil. Herbal experts, meanwhile, huff that just as you can't boil all teas, you can't boil all tisanes. (That's the proper name for an herbal tea, since they don't actually contain, you know, tea.) And yet more expert experts point out that there's a difference between Japanese and Chinese greens, and spring-plucked and summer-plucked greens. All that's before you even get into the Celsius conversions or the debate over whether greens should be steeped just 1 minute or 7 minutes...

And they wonder why green tea didn't take off in the US until Lipton started bottling it.

Let me make your life easier the Chinese granny way: 'shrimp eyes'.

For black tea, your water needs to come to a full raging boil, but when you put on the water for green tea, wait for little bubbles rising to the top, the size of--you guessed it--shrimp eyes. The next two steps up are 'crab eyes' and 'fish eyes', and they're well within the green tea range. If you think your bubbles are too big, or you've just lost track of time and hit full boil, turn the pot off and let it sit a minute or two. With a bit of practice, you'll be able to tell where your water is just by the sound of the kettle.

That said, time is the killer. Water that's too hot may leave you with a bitter green, but most greens, including those you're going to pick up from the shops, also become bitter or astringent if they're steeped too long. Most packaging on green teas is oblivious to this; people from countries that drink sugary coffee milkshakes and sugary milky black tea are told to steep their green teas up to 7 minutes, as if to confirm the healthy benefits of green tea we must first make it taste godawful. Trust me and aim for 3 minutes; if your cup is too weak/strong, you'll at least have a good reference point for adjusting the timing on the next pot.

Now that's out of the way...

What's the biggest problem with flowering teas, mokie?

Time and temperature, mokie. Mostly time.

First, let me explain (finally, halfway down the entry) that flowering teas are whole tea leaves tied together in such a way that, as they steep, they 'bloom' from a hard round ball into a floating 'flower' in the pot, often with actual flowers like jasmine at the center. It's also, according to some, a very pretty way to sell off really outdated tea stock, and I believe it, since I haven't had any yet that didn't taste stale.

Second, there's the issue of steeping time. A flowering tea starts out as a hard bound ball o' tea, but tea leaves need room to move and infuse--that's why bagged tea is chopped into tiny pieces (more surface area), and why tea balls are great for corralling herbs and herbals, but not so great for actual teas. It can take anywhere from 3 - 7 minutes for the outer leaves of a flowering tea to infuse enough that they unfold, and that means that while the outer leaves are oversteeping, the inner leaves aren't getting much room to infuse and expand at all. You can easily end up with a contrarily astringent cup of weak tea.

Which I did.

In the Bag:
Oh look, the actual review! The brand in the cup today is Primula's flowering green jasmine tea. It has several negative Amazon reviews which mention that the customers' tea arrived already several years old judging by the 'manufacture' date and/or expired. I find this perversely funny, since, again, flowering teas seem to be made exclusively from stale tea.

In the bag, this is a little knobby ball that smells a little dusty. No jasmine scent.

The Steepening:
Took forever.

The unfolding of the leaves and flowers into a little bouquet is the real point of flowering teas (more on that below), but this one underwhelmed me. The leaves are rolled and bound in such a way that it didn't gently bloom into a dainty bouquet, awaiting the oohs and aahs of onlookers, as much as it porcupined out into a delicate tea mine, awaiting passing U-boats.

The scent was also disappointing. The mark of any good jasmine tea is its ability to make you forget you're supposed to drink it, because you're too busy inhaling the aroma wafting off the pot, but jasmine barely showed up to the party in this tea.

The Verdict:
Weak, astringent, and not even particularly jasmine-ish? Blah.

I'll admit that the primary draw of flowering teas isn't the cup but the pot: they're not drinking teas, they're watching teas. If you're hosting a little girl's tea party (raiding party, whatever), and everyone's going to drink their flower tea with a heaping spoon of sugar and a handful of cookies anyway, then it's not a problem. They're also not too shabby for that relative who'll drink it and think, "Ah, so that's what a fancy tea tastes like," and then return to her Diet Coke quite pleased at having had fancy tea that one time.

If you want a drinking tea, though, flowering teas aren't the way to go. And if you want a watching tea, you can certainly do better than Primula's.
mokie: Ghostbusters' Vinz Clortho wears a collander and answers questions (nerdy)
First I flood you with dream entries, then my social ineptness, and now nitpickity book talk. I bet this isn't the exciting chronicle of chronic excitement you thought it would be.

For those who believe there's nothing as boring as hearing someone else's dreams, let me reassure you that I don't usually remember and record them this often, and this recent burst of dream entries probably won't last. For those uninterested in my social ineptness, you and my mother both. For those who don't care what I'm reading, take solace in the fact that I at least cut the spoilers. Unless you're reading by RSS, which I hear ignores cuts, in which case...oops?

Now, onto the nitpickity book talk!

I've made no secret of the fact that I'm twitchy about genres. There are genres for settings (westerns), genres for audience (young adult), genres about types of relationships (romance), genres that include unreal elements (fantasy), genres that include unreal elements that could be real maybe (science fiction), genres about types of relationships that include unreal elements (paranormal romance, though arguably chick lit would fit here too), genres within genres, genres overlapping genres, an entire wide swath of fiction dismissively dubbed 'genre'. It's chaos!

It irks me.

I look upon my shelves of science fiction/fantasy and sigh with relief at the convenient compromise that is 'speculative fiction'. I glance at the horror shelves and wince at the idea of a genre based not on the book, but on how the reader reacts to the book. I organize my nonfiction shelves by the Dewey Decimal System because it makes sense.

So I was happy to stumble on The King of Elfland's Second Cousin's entry "Ephemeral Horror and the Diffusion of Genre Markers" even if it wasn't about ephemeral horror, as I thought, but about horror as an ephemeral genre, which is something of an ephemeral horror. This will start making sense any minute now, I promise.

The following points made my inner M&M sorter very happy:

#1. "[W]e categorize stories based on the conventions they employ and the devices that show up within their texts. Spaceships, time travel, aliens? Let’s call it science fiction. Magic and knights? Let’s go with fantasy. [...] These devices, the objects and tropes of most genres, can easily be slapped on a cover to communicate the story’s category to booksellers and readers."

Sometimes, in my flailing about order and chaos and systems for big cohesive pictures, I lose sight of the tiny common sense trees--namely, that 'genre' is just a fancy French word for 'kind', and is not, never was, and never will be some high and mighty literary infrastructure. It's just a big mental box into which vaguely similar stories are tossed so that the stuff you like is near the other stuff you like, so you can find more stuff you like.

#2. "Horror lacks the constraints that more solidified genre conventions impose. We can write a horror story – like Shirley Jackson’s classic 'Flower Garden' – without a single element of the supernatural or the inexplicable. [...] This freedom means that – in order to be effective – horror must sneak past the reader’s natural defenses, must directly speak to the reader’s perceptions, values, and fears. This is the kind of deep-seated, emotional and perceptual communication that the literary fiction genre has traditionally claimed for itself. But where literary fiction uses such emotional and philosophical intimacy to explore comfortably distanced morality, horror uses a highly sensitized point-of-view to get as close to the nerve as possible, to map even the most painful experiences from the inside."

It's a fantastic parallel: like a good horror story, the horror genre is about wandering into the dark and unfamiliar room to check out that bump you just heard.

I've argued the merits of horror with haters before, and pointed out that like fancy pants literary fiction, good horror says something about the viewer and society (and not just "We watch movies with naked co-eds taking a hatchet to the face"). To play on our fears, horror has to be able to get into our heads and push the buttons it finds there.

#3. No quote here, because it's a bit too spread out, but the point is brilliant: there are (of course) horror tropes, except when we become too used to them, they stop being horror tropes.

When horror begins relying on tropes to define it, those tropes cease to be scary, and in a fundamental way, the works that feature them stop being horror. Once the tropes are no longer new and unsettling--once we know them by heart--we begin to redefine and re-imagine them. We turn vampires into moody romantic leads, disfigured undead serial killers into comedians, and the lonely werewolf from an alienated loner into a member of a highly organized underground society of walking AIDS metaphors.

It won't make me change how I organize my reviews, but it does have me rethinking the horror movies of my youth.
mokie: A vintage image of a girl and kitten smiling (pets)
Back near the end of July, during that fun 3-month heat wave/drought combo platter, I got a call from Zaphod, my nephew, asking if I would take in a stray kitten he found. It had been hiding under some bushes near his house, panicking at the passing cars and panting in the heat, and it had been out there for a while.

But you know young animal lovers. A baby bird on the ground must be in dire danger, a bunny out of its burrow must need rescuing from any potential threats, and a kitten under a bush must be lost and in need of saving. I gave reluctant and conditional permission: I'd bring the kitten in, check it out, and let it get some water and cool off, but in all likelihood it was simply an outdoor cat trying to dodge him.

A few minutes later, my sister came up the street with the boy and a couple of neighborhood kids, and I realized it wasn't just Zaphod being oversensitive. The kitten wasn't starved, but it did seem a little bony and dehydrated, and it was petrified by every sound, from random dog barks a block away to squealing tires a few streets over.

That's how Maynard came to us.

The fact that he was so affectionate, and so willing to be lugged around and snuggled by Zaphod, told us that Maynard was most definitely not a feral cat, but he did like to dodge out the door--and then freeze on the porch, as if asking himself what he'd just done. We were banking on Maynard being a local kitten who'd darted out one day and not been able to get back in, so we checked grocery store bulletin boards, looked for Lost Cat posters, posted notices online, and the nephew said he even put up a Found Cat notice near his apartment building.

Nothing. Poor thing. I'd only saddled him with the name 'Maynard' because I thought he'd just be here a day or two.

As the month creeped by, the other possibility started to look more like a probability. Maynard was (I would guess) eight or nine months old, at that gangly stage where cats stop being cute and start knocking things over in earnest, and we live in a neighborhood dominated by apartment buildings, with a lot of turnover in the summer months. It was all too possible that someone simply decided they didn't want a kitten anymore, or was moving and didn't want to lug him along.

Due to a human medical emergency earlier this year, Ming and Murphy's visit to the vet to be fixed ended up being pushed back, but with a second intact male in the house, procrastination was no longer an option. Last week I called the vet to ask if they check for microchips as a last ditch effort to find Maynard's previous owners, and made an appointment for all three cats to be vaccinated. (It's required at least two weeks before spaying/neutering, even for indoor cats.)

I didn't even need to fully explain to the vet. I started with, "There are a lot of apartments..." and she knew where it was going. How's that for depressing?

Ming's check-up included an ultrasound to be sure there were no surprises. While the vet saw some fluid in her uterus, there were no signs of kittendom, so she was vaccinated and yowled all the way home about it. Kitty PMS!

Maynard's check-up revealed no chip and no health problems. He's now vaccinated and officially a member of the family. He took it so well, the vet's assistant dubbed him 'loverboy'.

Murphy's check-up took place in the office sink, since he felt a little less exposed there. He's about as social as I am--we both hide when new people come into the apartment--so I was surprised he was willing to come out of the carrier at all. The exam revealed a blocked eye duct and problematic tooth, possibly allergy/sinus related since the weepy eye seemed to act up most often when the people-allergies flared up. The vet warned that vaccinations and antibiotics together could make him feel sick, but I figured a little sick was better than stressing him out with a string of vet visits. Two minutes after we got home, he felt so sick that he bounded up the cat tower, flung himself at Maynard, dodged a swipe from Ming and rolled across the rug chasing absolutely nothing.

And everyone was happy to be home.
mokie: A screaming child holding a headless teddy bear (cranky)
I'm currently stuck in a horrible depression loop.

I'm pretty sure I know why--the two week heat wave killed my appetite, my sinuses and my sleep schedule, so I'm sniffly despite three kinds of medication, sleep-deprived but not sleepy thanks to the decongestant, and hungry but not feeling it thanks to the phlegm. And then being hot, hungry, sleepy and sneezy all conspired to kill my attention span just as a big job came in, so I'm feeling all of that and frustrated and stupid and worthless.

Fortunately it's the kind of depression that manifests not as woe! woe is me! or I'm not worthy of hygiene!, but as a seething rage that pops up randomly against random people for no good reason. Actor on TV who cannot act, I will kill you with my mind! kinds of rage, pointless and brutal but quickly passing, thanks to that short attention span.

So that's fun.

I'm not sure if I should grab my camera and go hide for a while, or consume vast amounts of coffee and hammer this job until it submits.

Update: And the random brown-out just now answered my question. Camera it is!
mokie: Sleepy hobbit Will Graham naps on a couch (tired)
While cruising links, I wandered past two stories.

The first is of a popular new novel that was originally published as fanfiction, and which has some writerly blogs/groups upset. They point out that the author only changed the names in her story, nothing more, and that she drummed up support for her novel within fandom. Pro-fanfic, they question the integrity of exploiting another author's work for profit, and exploiting the fan base at all.

The second was about a self-published romance author, treasurer for the Romance Writers of America (networking: it's what's for dinner), unmasked as a plagiarist. Upon being caught, she claimed she'd downloaded the original story to read but mistakenly saved it to her writing folder and uploaded it for sale by mistake--a story which didn't explain the changed title or character names. As more examples rolled in from her other works, she confessed that she was guilty, resigned her role, and tried to fade back into obscurity.

Somewhere in the tangled mass of comments and debate for these two stories, someone made the sad observation that there had been quite a few stories of self-published authors revealed as plagiarists in the past year. The usual slew of "I don't see how they think they can get away with it" responses came up, but a few pressed a different angle...

There are some people who really believe that changing just enough counts--that taking Steve in Wichita and making him Mike in Dubuque makes the story uniquely their own, even if most of the words are the same and in the same order as Steve's Wichita adventures. They really believe they can take a favorite scene, change it just a little--plug in their characters, reword a sentence or two--and it's theirs. They completely misunderstand what is meant by 'taking inspiration' from a beloved story.

They're not intentionally out to trick or defraud anyone, or claiming their work is a remix. They simply don't recognize what they're doing as plagiarism. In their minds, plagiarism is exact copying. If it's Dubuque, and the big showdown doesn't feature all the same elements, that's different enough to count as an homage, right? (No.)

I don't mean the unconscious copies, words or sounds or ideas that quietly take up residence in the back of our heads and pop up a year or ten later pretending to be original ideas, like the songwriters who play a riff and don't realize it comes from "The Wizard of Oz," or authors who write a line and fall in love with it, only to have it pointed out later that it's an obscure movie quote. I remember jabbering about pulling squid out of my nose, and not realizing until later that the image in my head was a medicated hybrid of a short story I'd been reading and someone's blog post; I can only imagine how much more embarrassing that kind of thing is when it's, say, a pop star being called out for ripping off a twenty-year-old Madonna song. Or how frustrating, given that Madonna twenty years ago was openly and intentionally ripping off her contemporaries. But I digress. And embarrass myself by citing the Gaga/Madonna thing. Moving on.

I'm also not slamming self-publishing or fanfiction. Quite the opposite: I think before self-publishing became so easy, these authors would have participated longer in fanfiction, participated in some competitions, and been poked (or seen someone else poked) for their lifting of a line. Or maybe they'd have taken a creative writing course or two, participated in a critique circle, and received a polite but pointed comment about their work being too 'derivative', and that they should look into the exact meaning of plagiarism. Maybe they would have just started a blog, lifted someone else's material, and been on the end of some flamey comments and emails.

The point is, there's been so much debate about the importance/unimportance of the traditional 'gatekeepers' in publishing, snark about the whole world being one's slushpile vs. defiant optimism about levelling playing fields, and so forth. But hand in hand with that, there's also the diminished importance of the small-scale writerly training grounds. Maybe it isn't so much that authors used to have to pay their dues to earn a traditional contract, but that these spaces allowed them to make mistakes semi-privately, whereas now Google sees all and remembers all.

Or, more likely, I'm overthinking this entirely because I've been so loaded with work these past few months that this is the first chance I've had to sit down and overthink a couple of silly articles.

Hi, journal! I've missed you!

About dream/reading tags

y-* tags categorize dreams.

For types: beyond the obvious, there are dreamlets (very short dreams), stubs (fragment/outline of a partially-lost dream), gnatter (residual impression of a lost dream).

For characters: there are roles (characters fitting an archetype), symbols (characters as symbols), and sigils (recurring figures with a significance bigger than a single dream's role/symbolism).

x-* tags categorize books.

Material is categorized primarily by structure, style and setting. If searching for a particular genre, look for the defining features of that genre, e.g. x-form:nonfic:bio, x-style:horror, x-setting:dystopian.

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