mokie: Firefies swirl beneath a tree on a moonlit night (happy)
From the Terminator 2: Judgment Day trivia page:
The "forced medication" scene (Special Edition only) had to be re-shot several times because actor Ken Gibbel wouldn't hit Linda Hamilton properly with his nightstick. The scene was very physically demanding and Hamilton was furious with Gibbel because he repeatedly botched it. She got her revenge in a later scene where she beats Gibbel with a broken-off broom handle - the blows are for real.
If you check Gibbel's IMDb page, you'll notice T2 is his last acting role.

She beat him right out of the movies!
mokie: Ghostbusters' Vinz Clortho wears a collander and answers questions (nerdy)
Ready? Okay!

- I recently did some work on ad copy for a line of toys.* Next Christmas, you should expect to see me in the local toy store, laughing maniacally at my newfound power over the minds of the young and innocent.

- Just found out that the host of Adagio's webcast reviewing custom blends is apparently a well-known and much-travelled public speaker who appears all over yon webbish TV/*cast enterprises, especially tea-related ones. Oh, and he's a Mizzou student. Queue Cue conflicting feelings of, "Oh, hey, Columbia!" and "Oh, God, how old is he?"

- Somewhere along the way, I stopped spelling it 'cue' and started spelling it 'queue.' I don't know when or how to stop.

[On a queue, for a cue, on a queue, for a cue--I will remember this!]

- Current brief obsession under investigation: streaming music. What are the real differences between Pandora and Rdio and Last.fm and so forth? I will not rest until I find out! Or lose interest! [Done!]

- For those who haven't heard, from Time.com: Why Have Hackers Hit Russia's Most Popular Blogging Service?

Short answer: probably a politically-motivated attack to silence dissent. If you haven't been able to access Livejournal, this is why.

If you're feeling anxious and would like to back your journal up, you can do that, but bear in mind that it adds to the strain on the system and that LJ's probably not going anywhere. You might consider instead signing up for one of the alternate sites (read: LJ clones) until the dust settles--just update to the new site and, when LJ's back up, copy and/or crosspost. It's also a generally convenient way to mirror your journal so people in your particular hobby/interest-based community can keep up with you no matter what site they prefer.

As for the clones...

There's DeadJournal, which is the granddaddy of the clones and thus lacks some of the later LJ functionality (and accompanying glitches). I've had an account since LJ's 2001 growing pains, and never noticed any technical problems. I've noticed that the user base skews a little dark and gothy, and it's not really a hopping joint, so if you're looking for lots of Golden Girls fandom interaction, it might not be the ideal destination for you

There's InsaneJournal, which became fandom's favorite once the creator of GreatestJournal flipped everyone the bird and let it die. It could simply be growing pains, but IJ is very prone to technical troubles of its own, and if everyone rushes over when LJ's down you'll probably see that in action. If you're looking for active community action you'll find it, but if you're just looking to post something while LJ's down, you may want to look elsewhere.

There's Dreamwidth, the idealistic newcomer. They started out with some very specific goals and intentions (see the guiding principles and diversity statement), they've expanded with fandom and roleplayers in mind, and they've taken the open source part of LJ's code and done very interesting things with it--including things that LJ users have been dreaming of for years. (Hello, in-line cut expansion!) Unfortunately, things are still a little quiet at DW--its slice of fandom consists mostly of the serious discussion of issues folks (see the guiding principles and diversity statement?), while the icon-making squeefuls are happy enough camped out at IJ. You may not find the activity you're looking for.

In other words, pick your high school lunch buddy: the antisocial kid in black who doesn't mind loaning you a buck for the jello cup but won't keep up conversation, the comedian who's great for a laugh but will flake out on you at the drop of a hat, or the very reliable junior feminist who will tell you all about the new club she's starting to save marmosets. DJ and DW both require invite codes and I have some to share, because I was down with all the cliques in high school, donchaknow.**

Alternately, you could just update LJ via a client like Semagic, which can queue posts for later if LJ happens to be down. That's why it's magic!

* No specifics. You never know where I'll strike.
** Well, not so much 'down with' as 'oblivious to.' Also, there were only about 2-300 kids in my entire high school.***
*** Yes, I was the flake. Still am, to tell the truth.
mokie: A large white shark rearing from a tiny child's pool (devious)
Watch out, science! Congress is gonna git ya!

Mr. Chairman, I rise in opposition to a bill that overturns the scientific finding that pollution is harming our people and our planet.

However, I won’t physically rise, because I’m worried that Republicans will overturn the law of gravity, sending us floating about the room.

I won’t call for the sunlight of additional hearings, for fear that Republicans might excommunicate the finding that the Earth revolves around the sun.

Instead, I’ll embody Newton’s third law of motion and be an equal and opposing force against this attack on science and on laws that will reduce America’s importation of foreign oil.

This bill will live in the House while simultaneously being dead in the Senate. It will be a legislative Schrodinger’s cat killed by the quantum mechanics of the legislative process!

Arbitrary rejection of scientific fact will not cause us to rise from our seats today. But with this bill, pollution levels will rise. Oil imports will rise. Temperatures will rise.

And with that, I yield back the balance of my time. That is, unless a rejection of Einstein’s Special Theory of Relativity is somewhere in the chair’s amendment pile.
That's from one of the Democrats in the House of Representatives, in response to a bill to overturn EPA pollution regulations. I don't know whether to laugh with him, or cry because Congress was seriously considering this bill.
mokie: A tiny, sad cardboard robot walks in the rain (sad)
From StarIQ's New Moon report for March
Uranus in Aries
Friday, March 11, 4:55 pm PST, 7:55 pm EST

The planet of revolution begins a seven-year stay in Aries that can shake the world. This explosive transit is rich with promise for change if we're willing to let go of the past and radically reshape the future. It is time for a new human consciousness that recognizes the need to transform our relationships with nature and with one another. Experimenting with different forms of government and economic institutions will feel risky, but sticking to the status quo is even more dangerous. Liberation starts within each one of us, which makes personal breakthroughs significant contributions to our collective growth.
And now, back to your previously scheduled worrying about people in the earthquake/tsunami zones.
mokie: A Japanese lantern in front of lush green bushes (thoughtful)
SeoulBrother explains:
To edit the word from our literature we actually decriminalize the climate and context in which it was used. We allow the romantic notion of The Good Ol’ Days to go unchecked. If we let that happen slavery gets reduced to young Anakin Skywalker pouting because he can’t get time off to compete in the Pod-races, bigotry becomes a rednecked, chew spittin’ caricature instead of the well dressed, even-toned bank manager denying a loan and racism becomes something that used to happen. “Nigger” keeps that in check. It’s like a birth certificate for both America’s slavery and apartheid—proof that it happened.
mokie: A strung light in the shape of a star (okay)
Pandora Radio now lets users seed from a subgenre.

For example, under Alternative, which is presumably itself under Pop/Rock, as the Music Genome Project figures genres, one can choose 80s Alternative, which is more frequently called New Wave, except where New Wave is still used by some to describe Punk, in which case it'd be Post-Punk, which together with hair rock was, if I remember right, what Alternative was the alternative to.

(It's also missing an apostrophe. If you shorten it from 1980s, it should become '80s.)

For a minute, I thought I saw glimmerings of a more logical structuring of the genre--popular music, sorted into light meat (pop) and dark meat (rock), then subdivided into what's dominant at the time in question (pop/rock) and what's recessive or on the rise, whether it's known as alternative, indie or punk, which would justify the alternative tag...

But alas, that "World Music" genre defies me. By default, it takes their five base genres and turns it into two: Developed World Music, and Developing World Music. For a project whose goal is to "capture the essence of music at the fundamental level," it really seems a big misstep.
mokie: Clue's Ms White saying, "Flames on the sides of my face" (angry)
From Indie Won. Now What? [Broken Pencil]
Authenticity has become dominated by persona (or worse, personal brand), serving to disguise or deflect a person's motives. At this juncture, indie needs to provide a better window into its soul -- and like every useful window, it must be transparent. ... The problem, of course, is that authenticity is much sexier (and safer) than transparency. 'Select only things to steal that speak directly to your soul. If you do this, your work (and theft) will be authentic,' explained indie filmmaker Jim Jarmusch in a 2004 article for MovieMaker magazine. 'Authenticity is invaluable; originality is non-existent.' Transparency has no place in this equation because it involves footnotes and citations and other unsexy tools of attribution. Ripping someone off, meanwhile, requires nothing but swagger.

David Shields, in his recent book Reality Hunger, is equally obsessed with artistic bona fides. He admits that he is 'desperate for authenticity and in love with artifice' and that 'we're clinging to anything that seems 'real' or organic or authentic. We want rougher sounds, rougher images, raw footage, uncensored by high technology and the powers that be.' Curiously enough Shields, like Jarmusch, endorses thievery, admitting that 'most of the passages in this book are taken from other sources.'

Meanwhile, in February of this year, it was revealed that Helene Hegemann, a 17-year-old German novelist, had also taken Jarmusch's advice and plagiarized (or borrowed, or remixed, or repurposed) a blogger named Airen in her book Axolotl Roadkill. 'There's no such thing as originality anyway, just authenticity,' Hegemann said in her defense, taking inspiration from Shields and nearly plagiarizing Jarmusch in the process.
The author goes on to point out the irony of carefully constructed and inauthentic authenticity, as part of the article's theme--that the indie hipsters need to embrace the inauthenticity of their authenticity to make it authentic instead of pretending it's authentic. Or something.

But I wish, oh how I wish, we had followed that tangent above: that hipsters and the indie movement have conflated authenticity, that which is genuine, "of undisputed origin or authorship," true and trustworthy and legitimate, with theft. The claim that there is no originality is a cover for an unwillingness to pursue originality in favor of rehashing the past with tongue in cheek, an excuse to sneer when you are caught stealing someone else's work--caught, because the plagiarist doesn't state upfront that she's ripped off a handful of bloggers and authors.

It's nothing to do with originality or authenticity, or the relative unsexiness of footnotes. The braggadocio of the embarrassed asshole caught in the act may be the hallmark of the hipster but it did not originate with him, and "Fuck you, I meant to do that anyway" is older than spit.

So, the author says, their authenticity now thoroughly inauthentic in that it can be bought and sold to market a car, indie has 'won'--a strange reversal of values, given that previous generations would have decried this as 'selling out' or having been co-opted by corporate interests, and a tragic undermining of the legitimacy of that movement/aesthetic. Except, that's right, their legitimacy isn't, their authenticity isn't, it's all been a snarky sham and if the suits are going to make a buck off of it (isn't marketing the ultimate example of inauthentic authenticity?), the hipsters might as well pose for the cameras.

And now that they've won, what's next? Transparency. Footnotes. Show your sources, show your work, because honesty and integrity are the new indie.
mokie: Ghostbusters' Vinz Clortho wears a collander and answers questions (nerdy)
The media likes to claim that the Internet has the attention span of a toddler.

Remember this. I'll come back to it.

Ezra Klein offers an explanation of why Facebook matters, which is really more a comment on a quote from a GQ article, Viral me:
"The big change, the big shift in the Internet that's happened in the past three or four years, is the shift towards social being the most important thing," Angus says. "So now increasingly you discover content or care about content in the context of your friends. Up until now, Google's PageRank has been the dominant way that content gets sorted, ordered, and found on the Internet. And the threat from Facebook is to say, 'wait, we're going to reorder the whole Internet, all the content out there. And instead of it being based around some algorithm that a search engine says is important, we're going to base it around who you are, who your friends are, and what those people are interested in."
Why has this shift happened in the past three or four years?

It hasn't.

When the media talked about the Internet a year ago, two years ago, five years ago, what was the context? Blogs. Memes. Viral advertising. Musicians who got their start on Youtube or MySpace, nerd bloggers who become minor stars in their own right. The power of 'word of mouth', and the Internet as the new grassroots.

When the media talked about the Internet ten or even fifteen years ago, what was the context? Forums. Chat rooms, and what your kids might be up to in them. How a cheap indie horror flick became a blockbuster international hit through 'Internet buzz'. People talking to each other over computers instead of the telephone!

The media likes to claim that the Internet has the attention span of a toddler, but it's the media and its less-than-nerdy target audience that are guilty of not paying attention. A few large social hubs burst onto the scene in the past couple of years, and where most other social hubs focused on users finding other users with similar interests, these hubs encouraged users to recruit their family, offline friends and acquaintances. Yes, thanks to this shift, the uncle who joked that the only reason you could have to own a computer is to look up porn is now asking to be your friend on Facebook.

The shift isn't social. The shift is personal.

It isn't simply that a lot of people who thought that Google was the Internet (and who, ten years earlier, would have thought that AOL was the Internet) are panicking because they can't find Facebook. It's that, oh my God, comment #6 is my mother!*

It isn't that your kid sister is now talking to people over the computer, and NBC wants you to make sure she does so safely! It's that your kid sister is talking to you over the computer, and your mother wants to know what she's saying on her Wall because sis defriended her after their latest spat.

It isn't about discovering or caring about content in the context of your friends. It's about discovering content posted by friends you made in high school, and by people you know by their real names, people who don't even know what an Internet handle is, much less what yours is--and that's the way you want to keep it.

God help the relative who finds my Twitter account.

* Rhetorical device. My mother did not comment to that article. I hope.

About dream/reading tags

y-* tags categorize dreams.

For types: beyond the obvious, there are dreamlets (very short dreams), stubs (fragment/outline of a partially-lost dream), gnatter (residual impression of a lost dream).

For characters: there are roles (characters fitting an archetype), symbols (characters as symbols), and sigils (recurring figures with a significance bigger than a single dream's role/symbolism).

x-* tags categorize books.

Material is categorized primarily by structure, style and setting. If searching for a particular genre, look for the defining features of that genre, e.g. x-form:nonfic:bio, x-style:horror, x-setting:dystopian.

Tags